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Gomez said on The Zach Sang Show in October that she hoped the "individual" she wrote about hears the latter two songs. In October, Gomez released two surprise singles, a balled titled " Lose You to Love Me" and a pop-dance song titled " Look at Her Now." Many believe they are about her ex-boyfriend Justin Bieber. "Look at Her Now" is the third track featured on Rare, which "Lose You to Love Me" is Track No. We got DM's from her team being invited."ĭon't Forget About. We were all sat on the floor-Selena wanted us to. They were really good! The atmosphere was so chilled. The best part was being able to be in such an intimate moment with her listening to the three tracks of the album and just talking to her like we're friends.
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She took as much time as we wanted to speak to her and tell her what we wanted. "It was amazing! Such a great experience," another eyewitness said. "She said she wants the fans to focus on the lyrics of this album since they are very honest and from the heart! From tracks we heard, 'Vulnerable' was my favorite. "She was so kind and sweet," an eyewitness told E! News. On Thursday, she announced its name- Rare, and unveiled its cover art and the names of its tracks via a trailer.Ī day earlier, she played her new music and chatted with about 30 fans at a listening party in London. She had revealed last month that her new album, her first major record since 2015's Revival, is set to be released on January 10. It makes for a solid pop album overall, but it's a little too formulaic and predictable to rate among her best work.Get ready for even more new music from Selena Gomez.in less than a month!
SELENA GOMEZ REVIVAL ALBUM ARTWORK PROFESSIONAL
There are some songs as good as anything she's done and the production is professional all the way thanks to heavy hitters like Stargate, Max Martin, and Hit Boy. Despite a few too many songs like this, there is still much to like about the album. Whether on the confessional piano ballad "Camouflage," the bruising "Sober" or the cartoonishly sexy "Good for You," it feels forced and overdone.
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She aims for several kinds of maturity here, but in the process the music suffers. The songs that don't fare as well are those where Gomez sounds most personal. She also does a fine job on the tracks that slip outside the bounds of the formula, namely on the snappy, sassy Charli XCX-written "Same Old Love" or the steamy, tricked-out Latin beats and weird synthesizers in "Body Heat." These tracks show at her best, dialing up her personality to match the wit and imagination shown in the arrangements.
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Gomez sounds most at home on the uptempo dance tracks like "Kill 'Em with Kindness" or "Me & the Rhythm," where the smoothness of her voice fits in with the vacant abandon of the beat. Instead, the album sticks pretty close to a club bangers-and-ballads mix with a couple of R&B-inspired jams thrown in. Taking more control over the album, with more writing credits and production oversight, the sound veers away from the bubblegum nature of her early work or the genre-hopping aspects of other releases. Revival is something of a fresh start for Gomez, both musically and personally. A label change (from Hollywood to Interscope), a very public breakup with longtime on-off boyfriend Justin Bieber, management issues, various rehab rumors, and even a few good things (a hit single, a charting collaboration with Zedd). During the short time since her last album, 2013's Stars Dance, and the release of Revival in 2015, Selena Gomez went through about a decade's worth of stuff.